Emergency! #1 (June 976)

                                                                        Art By Joe Staton
                                                                           #1, June 1976

Great Comic Artists: Joe Staton (Part 3)

Continuing the spotlight on Joe Staton, this time showcasing a couple of his Charlton Horror covers, both cover dated October, 1975. These covers showcase Staton's women, they weren't always pretty but they certainly were buxom.

Ghostly Haunts #46, October, 1975.

The Many Ghosts Of Dr. Graves #53, October 1975.

Great Comic Artists: Joe Staton (Part 2)

Continuing our look at Joe Staton, this time around looking back on his work on the late 80's title, The Green Lantern Corps, which he worked on for issues, 206-213, 217, 221 & 222 with writer, Steve Englehart, & inkers, Mark Farmer & Bruce Patterson. This run with Englehart has received much better critical acclaim from fans throughout the years than their next collaboration in 1988, the often hated weekly crossover for DC Comics, Millennium. Next to E-Man, some fans believe this was some of the more polished work Staton has done, partly due to the excellent tight inking from Mark Farmer. I agree with that but his three issue revival of the Doom Patrol, issues 94-96 of Showcase will always be my favorite Staton work.

The Green Lantern Corps #209, Feb. 1987.
Inks by Bruce Patterson & Colors by Anthony Tollin. Interiors inked by Mark Farmer.

The Green Lantern Corps #210, March. 1987.
Pencilling assist from Ed Hannigan, Inks by Bruce Patterson & Colors by Anthony Tollin.
Interiors inked by Mark Farmer.

The Green Lantern Corps #211, April 1987.
Inks by Bruce Patterson & Colors by Anthony Tollin.
Interiors inked by Mark Farmer.

The Green Lantern Corps #212, May 1987.
Inks by Bruce Patterson & Colors by Anthony Tollin.
Interiors inked by Mark Farmer.

The Green Lantern Corps #213 June 1987.

Inks by Bruce Patterson & Colors by Anthony Tollin.

Interiors inked by Mark Farmer.

This cover is an homage to a previous Staton cover for Green Lantern #190, July 1985

Great Comic Artists: Joe Staton (Part 1)

Here's a few covers spotlighting the somewhat cartoony, loose work of the underrated Joe Staton.

Staton broke into the biz in the early 70's for Charlton Comics working on many of their horror titles and is possibly most known for co-creating E-Man with Nicola Cuti. When he jumped to DC in the mid 70's, he co-created The Earth-2 Huntress and helped revive The Doom Patrol for Showcase and the Justice Society Of America in All-Star Comics. During the 80's, along with (One of my all time faves) Steve Englehart, they did a beloved run on Green Lantern Corps and the somewhat hated 8 issue weekly mini series, Millennium. In 1989, along with Joey Cavalieri, brought The Huntress into the Post-Crisis DC universe with a well received mini-series. In the 2000's, Staton was part of Archie's "new look" concept when he and Al Milgrom with writer, Melanie J. Morgan took on Jughead in a series in which Jughead falls in love. Today, Staton works on the Dick Tracy comic strip with Mike Curtis. I managed to meet him in Oct. of 2013 at the New York Comic Con. He signed my copy of Space 1999 #1.

Haunted Love #4, October 1973.
Staton also did the art for the second story in this issue, "Reunion".
As seen here, John Byrne's females are somewhat influenced by Joe Staton.

Space 1999 #1, November 1975.
This issue is signed by Joe Staton (New York Comic Con, 2013).

All-Star Comics #73, August 1978.
Inked by Joe Giella.
Giella's inks really ruin this cover, He was not the right fit for Staton at all.
The crammed panelling and the awkward positioning of some of the characters, also doesn't help it.

Showcase #97, Feb. 1978.
Inked by Joe Orlando

Jughead's Double Digest Magazine #141, August, 2008.
Inked by Al Milgrom.
Staton took on the "New Look" Archie concept which was designed to give the Archie world a more realistic look but his herky-jerky outlandish goofy style and 90's outdated hair & clothing made them seem more cartoony, not to mention more uglier than ever before.